The Victorians loved
antirrhinums. From the 1890s onwards they were
listed in a wonderful variety and this enthusiasm
continued well into the present century - in 1926
Suttons listed sixty seven varieties and even in
1939 Carters listed sixty four. And they came such
subtle variations of colour that Victorian ladies
had an enviable choice as they walked their cutting
garden.
And there were so few of
these dumpy little buns we see everywhere now: fast
into flower on plants hardly larger than a fat
muffin, they burst brightly into bloom and are over
before they've occupied any appreciable space or
developed any impressive character. Except,
perhaps, that even on such tiny plants their quirky
flowers are endearing.
These days we see the same
flower forms as the Victorians grew: the
traditional bunny-rabbit flower which opens when
you pinch its sides; the penstemon-flowered,
sometimes called open-throated, types and the
doubles, penstemon-flowered types with extra petals
cluttering the throat.
In the 1950s
rust-resistant varieties were introduced and then
vanished as they fell to the constantly mutating
disease and rust remains the one drawback to
growing these constantly fascinating and intriguing
flowers. No antirrhinums are resistant.
Once they were grown in
bold fat clumps like perennials, many reaching 3ft
(90cm) in height. Now such tall varieties are hard
to find but those in a medium height of about
15-18in (38-45cm) are short enough for modern small
gardens yet tall enough retain a little elegance
and to cut.
They make bold,
self-supporting erect spikes wherever exclamation
marks are required and emerging through foamier
neighbours or set against the foliage of shrubs in
a mixed border they're bold yet never
overpowering.
'Night and Day', a
Victorian crimson and white bicolour now
rediscovered, or its new, penstemon-flowered (and
far more expensive) counterpart 'La Bella Red and
White', looks superb interplanted with the deep
bronze foliage of purple perilla and the foam of
'White Cloud' larkspur.
On a smaller scale, choose
carefully and you'll find varieties which will
remain sufficiently open in habit to mingle
intimately with low spreading neighbours. Try the
aptly named 'Peaches and Cream' with the golden
bowls of Camissonia 'Sunflakes' and both
could go in front of the yellow-edged coleus
'Wizard Scarlet'.
Choosing
varieties
Antirrhinums boast one of
the widest ranges of colours in annuals. Blue may
be missing but the shades range from white to
scarlet, rusty bronze to primrose, deep purple to
lavender - plus and increasing range of bicolours.
And although varieties under 9in (23cm) proliferate
in catalogues there are good selections in taller
kinds.
Best dwarf series:
'Kim' is outstanding, six of its ten colours have
received the RHS Award of Garden Merit. Slightly
later into flower than other dwarf types, 'Kim'
lasts for longer than the seven-colour 'Bells'
which is earlier to start flowering.
Best dwarf single
colours: Few are available. The sparkling 'Kim
Orange Bicolour' is one of the AGM winners in
orange with a yellow lip; 'Peaches and Cream' is
altogether softer.
Best medium series:
The nine-colour 'Sonnet' has the clearest colours,
the similar 'Liberty' is the best of the rest.
'Coronette' is outdated.
Best medium single
colours: The unique 'Black Prince' has crimson
flowers and bronzed leaves; it's lovely in front of
the silver foliage of Artemisia 'Powis
Castle' or with the matching chocolate flower s of
Cosmos atrosanguineus and Scabiosa 'Chile
Black'.
Best penstemon-flowered
type: 'La Bella' is an excellent new
ten-colour, penstemon-flowered series reaching
about 18in (45cm).
Best for cutting:
Taller varieties for cutting or the back of the
border can be hard to find, and then usually only
in mixtures. 'Spring Giant' reaches 3-4ft
(0.9-1.2m), the double flowered 'Madame Butterfly'
is a little shorter. 'Appleblossom' in soft rose is
a wonderful separate colour.
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Best Victorian
types: The crimson and white 'Night & Day'
has real class. 'Brighton Rock', also known as
'Picturatum' and 'Candyman', with its striped
flowers in many colours is a Victorian classic but
always includes a proportion of unstriped plants.
Sadly, the mixture of white-throated types listed
by Suttons in 1889 has not yet
re-appeared.
Best for baskets:
'Lampion' is a very expensive trailing mixture
which is also excellent as mounded groundcover in
beds and borders. 'Kim' is ideal for window
boxes.
Best bicolour: 'La
Bella Red and White' has a white throat and a
crimson face and is outstanding; the Victorian
'Rembrandt', in orange and yellow, still stands
out.
Best novelties:
'Powys Pride' is scarlet - but with leaves streaked
in white. Love it or hate it.
Best for the
future: Improved trailing types are on the way
along with variegated varieties in other
colours.
Raising and choosing
plants
Mixtures like 'Bells' and
'Floral Carpet' are the most commonly seen
antirrhinums in garden centres; 'Kim' is more
scarce as it's less likely to be in flower at
planting time. If mixtures are bought as they come
into flower individual plants can be picked out for
placing with the most appropriate neighbours.
You may find occasional
taller types, especially Liberty, Sonnet and
Coronette, but rarely in flower and rarely in
separate colours although in the most upmarket
garden centres they're sometimes offered
individually in pots.
Look for plants which have
branched from the base and in particular avoid
taller varieties if the plants have little more
than a single stem.
Seed is best sown in pots
in March or April. Water the compost with Murphy
Traditional Fungicide immediately before sowing as
a precaution against damping off then sow thinly.
Do not cover with compost or vermiculite but cover
the pot with clingfilm and keep in a propagator in
a light but not sunny place at about 15-20C. Sift a
little compost over the seedlings as they
germinate. Grow on cool, and harden off before
planting. Antirrhinums are tougher than many
bedding plants, like impatiens and begonias, so can
be planted out a little earlier - say in early to
mid May.
Catalogues
Again, Moles Seeds leads
the way with 38 varieties, mostly separate colours.
Of the more familiar catalogues Thompson &
Morgan have the most varieties (19) including their
own-bred 'Jamaica Mist' a lovely pastel
penstemon-flowered blend; they also have the most
separate colours. Mr Fothergill is close behind
(16) and also has the most striking Victorian
varieties.
DT Brown (11), Suttons
(11), Dobies (10) all have plenty of mixtures but
just one separate colour but Chiltern Seeds (12)
has two useful tall separate colours. Plants of
Distinction has the fewest listings (7) but six of
these are separate colours including three full
doubles in separate colours.
Seed
Sources
'Appleblossom' - CS
'Bells Mixed' - B, MF, M, U
'Black Prince' - MF, T&M
'Brighton Rock' - MF
'Candyman' - S
'Coronette' - B, M (also separates), S
'Kim Orange Bicolour' - T&M
'Kim Mixed' - MF, U
'La Bella Mixed' - MF, M(also separates), U
'La Bella Red and White' - M, PoD
'Lampion Mixed' - B, M, PoD
'Liberty Mixed' - T&M
'Madame Butterfly' - B, CS, M, S, T&M, U
'Night & Day' - MF CS
'Peaches and Cream' - B, D, M, T&M
'Picturatum' - B
'Powys Pride'- PoD T&M
'Rembrandt' - MF
'Rust Resistant Mixed' - MF, M
'Sonnet Mixed' - D, M (also separates)
'Spring Giant' U
B - DT
Brown & Co
CS - Chiltern
Seeds
D - Dobies
Seeds
M - Moles
Seeds
MF - Mr
Fothergill's Seeds
PoD - Plants
of Distinction
S - Suttons
Seeds
T&M - Thompson
& Morgan Seeds
U - Unwins
Seeds
First published
in Garden Answers magazine, April
1999
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